This exhibition is predominantly based upon the minimalist aesthetic of the medicinal pill, the works on display act as a continuation of Hirst’s life-long investigation into our almost-spiritual relationship with the rigours of science and the pharmaceutical industry.
A three metre neon sign reading ‘Schizophrenogenesis’, each letter in a different colour, lights the space. Both a warning sign and a beacon, the work entices the viewer into the gallery, where they are confronted by ‘The Cure’; a wall of thirty silkscreen prints, each depicting a two-colour pill set against vibrant backgrounds of pop-candy colours. Corresponding sculptural works fill the space; fourteen hugely enlarged resin pills, each measuring thirty centimetres long, as well as ten smaller pills, rendered in an array of seductive, immaculate colours.